Saturday, December 21, 2013

Evolution of the Modern Bra

With over 30 different styles to choose from, an array of manufacturers, colors, and fabrics, the bra has become an essential, almost unquestionable element of getting dressed everyday for women all over the world. Unknown to most, however, is the bra's humble beginnings and its development over the years into a now $2.5 billion industry. For instance, did you know that women weren't wearing bras, but instead donned the corset, until the early 1900s? (That is, if you discount the bandeaux style 'bras' worn by the Ancient Greeks and Cretans.)

Following the "S-Bend" corset's entry into the undergarment market in the late 19th century, doctors and women alike began to voice concerns about the effect of the corset on the female body. Not only did these corsets over time cause deformed rib-cages, misplaced internal organs, fainting, and miscarriages, but they were f#%*ing uncomfortable to wear all day! How were women supposed to enter the workforce and engage in physical activity and sports like tennis, bicycling, etc.? It was time for a change.


Example of the S-Bend Corset of the 1800s

EARLY 1900s

And this is where the modern bra comes in. In the early 1900s, one of the first French couturiers, Paul Poiret, declared war on the corset. His new designs first loosened and lowered it, followed by ridding his models of corsets altogether! These new dress options offered the modern woman a newly liberated silhouette and created a growing demand for an undergarment that kept breasts in place.


Poiret's hobble skirt and harem pants styles


Though the invention of the modern bra cannot be attributed to one name, there are several names that stand out in the history of the bra. Mary Phelps Jacob is one of those names. Phelps Jacob was inspired one afternoon in 1913 while trying to find the right undergarment for a somewhat sheer evening gown she would wear later that evening. Sewing two handkerchiefs together and creating two straps from pink ribbon, the first patented "brassiere" was born. The other name often connected with the bra's invention is Charles De Bevoise, an entrepreneur in the early 1900s that offered a sort of "bandeau" brassiere that compressed the breasts to fit the boyishform of the Jazz Age 'flapper'.


Mary Phelps Jacobs' first bra design

 World War I also aided the bra industry. Most corsets were made with lots of fabric, steel, and other metals, materials coveted and rationed during wartime. Women were thus told by the US War Industries Board to purchase bras and the newly marketed girdles instead of corsets at the time. This saved 28,000 tons of metal!

1920s

During the 1920s, women preferred the boyishform silhouette we discussed earlier. It was a time of great transition for women; the suffragettes' movement was under way, women demanded rights not afforded to them in the past, and they denounced the corset's inhibition of movement and freedom. Bandeau bras were worn to flatten the breasts, creating that adolescent look that was desired at the time. Thin shoulder straps also created a need for the strapless bra, widely available by 1926.


Flapper girls in their skivvies


In 1927, Maidenform, one of the largest bra manufacturers of the time, created the first cup system. Cups were initially called "double support pockets," and they were sized from A to D. This was the beginning of bra customization. Many other manufacturers followed suit, as you can see below in the Warner advertisement.

Warner Corset Company's Alphabet Bra line modelled after Maidenform


1930s

Gone were the androgynous silhouettes of the early 1900s. Curves were back! Starting with Mae West's debut on screen as one of America's first sex symbols, bigger breasts became en vogue. Following closely in Mae's footsteps was Lana Turner, the original 'Sweater Girl.' As the up-lifted, separated, perkier look of breasts was popularized, bra manufacturers began producing molded rubber padding inserts for the bra to imitate the look of the busty starlets.

Miss Mae West
Lana Turner, the first sweater girl



An advertisement from the 1930s for removable padding in bras


1940s

Just as Mae West and Lana Turner, via Hollywood, changed society's perspective on the ideal female silhouette, so too did Jane Russell in her film "The Outlaw." Jane's new figure uplifted the breasts even more, and led to the invention of the Howard Hughes' "cantilever" bra that showcased cleavage with half the coverage of bras in the past. At the same time, during America's involvement in World War II, pin-up models wearing lingerie were a popular morale booster for troops abroad. The 1940s are also responsible for the invention of the adjustable strap...thank goodness!

Jane Russell in 'The Outlaw'
Pin up model from the 1940s in YANK magazine


 1950s

This era was an important one for the bra industry. In the early 50s, pointy breasts were still popular. In fact, the "bullet" shape, created by circular stitching in the cups, was one of the best sellers at the time. This stitching technique proved too difficult to recreate at home, so most women opted for purchasing the bra in a store unlike years before. The invention of the Wrapture "Inflatable Bra" can also be attributed to this era.

Circular stitching 'bullet' bra advertisement
Women demonstrating the inflatable bra of the 1950s






Later in the 1950s, the female silhouette idealized by society was influenced by the iconic Marilyn Monroe. The look of softer, rounder, and curvier breasts influenced bra fashion. With the introduction of Lycra by DuPont, bras were made more comfortable because the fabric could stretch while maintaining its soft shape. In 1958, Frederick Mellinger, a soldier newly returned from war, created his now-famous shop, Frederick's of Hollywood and introduced the first push-up bra (much simpler than an inflatable device one might say...).

Marilyn posing in a bikini

The corset also made a comeback in this period. Featured on pin-up girls in Playboy, it was not only fetishized by men, but it became a symbol of female power instead of the restrictive garment it once represented in the past.


The original playboy bunnies

 -Ashley Davenport; Retail Assistant at the Ruff Life Lingerie & Vintage








Christmas-Mother-Identity vs. Me

Christmas is just a few days away now. Ice is covering the branches. My kitchen is full of flour, chocolate chips, and vanilla, and the dining room has become a Santa workspace for wrapping and homemade decorations. My mother gifted me a collection of 175+ nutcrackers for our holiday theme this season, which out of guilt and a dash of resentment have been scattered around the house already. Our tree is up and decorated, however because of an overly thirsty puppy, it is already dying.

All of this serves as a reminder: Christmas is not simply a festive, loving season, but also for many mothers, an exercise in attempting to be everything to everyone, usually at the same time.

Not gaining weight in order to still feel sexy. Not feeling too sexy in order to attract the gossip of family members. Finding the perfect gifts, so acquaintances feels as though I truly know them.

 Oh, and as a mother, I am given approximately three weeks to endow my son with a sense of tradition, a giving spirit and love of family. We read about Curious George and Elmo's Christmas adventures after baking cookies and peanut brittle to give to his nana and pops. I even wake up at 3 am with new ideas for the perfect stocking stuffers. I don't think I ever sent Christmas cards until I had my son, now the cards come with photos and miniature scrapbooks. I have a daunting Pintrest list of crafts I should be doing (from creating our own signature hot cocoa mix complete with handcrafted labels to saving toilet paper rolls to create Santa and reindeer ornaments).  I like to believe I generally a good mom, but around Christmas, I turn into a checklist of Martha Stewart qualities.

Then... yesterday, an odd moment forced me to rethink Christmas-mother-identity vs. me.

 I received a Christmas card from Lelo, a vibrator company. Without thinking, I set it in our Christmas card wreath, an elaborate display of holiday self-importance, like a visual list of how many people think of us. I stopped to wonder, should I keep the vibrator card in with all the other family cards? Will this one day haunt my son? No, I don't think he notices but, still... In all my efforts to be the perfect mom for the holidays, I don't want to deny that a sensual self co-exists within the warm innocence I create for my child.

When I was pregnant and ordering 'virgin' drinks, I learned to embrace the sardonic eye roll, however now, I attempt to segregate the sensual self responsible for making me a parent in the first place. I am not suggesting I engage my 4 year old in spirited discussions about the use of contraceptives, but perhaps this year my Christmas gift to myself will be to embrace this particular contradiction in the same way I embrace all the rest of them, imperfectly.

Merry Christmas from The Ruff Life!